In this way, a 12 inch record can hold between 15 to 22 minutes of music per side.ġ2 inch discs and the idea of playing records at 33 1 / 3 rpm came relatively late in the history vinyl recording, incepted at a time when radios were still the primary source of musical and listening entertainment for the majority of popular consumers. Also common is the playing of 12 inch records at 33 1 / 3 rpm, for this will mean that there is more space on the record to contain the music which is being released in this longer and larger 12 inch form. The 12 inch record will more often than not house an entire album, with the usual formation allotting one side of the disc to one half of the album. Used in this way, the discs were only really able to contain one or two songs per side – even the latter happening at a push – so the records quickly acquired the name ‘singles’, which has since become a common term even in this day and age, remaining a convenient way to describe a song released outside of the bounds of a longer release. The 7 inch record rapidly became the common currency for the exchange of popular music, able to contain in a smaller format the content from an upcoming release, especially seeing as the 12 inch record was not a seriously considered medium until the 1960s, other than in collating a collection of unrelated singles by an artist or scene.Īt the time of its inception, the radio was still the most common way for discovering and exploring all things popular and musical in this period, thus it would more often than not be the case that popular radio hits were stored on 7 inch records. The intention behind the production of smaller discs seems to have been to provide music listeners a more transportable medium upon which to print higher quality versions of singles from albums. Hence why they are often called singles instead of 7 inch records.
The technical capabilities mean that they are able to hold 4 to 6 minutes on each side, with the capacity increasing to around 7 minutes if played at 33 1 / 3 rpm. Without doubt the smallest of the more common vinyl record sizes in a vinyl record size chart, it is a lack in size should not translate into an overall lack of potency or presence, for they can be found everywhere.ħ inch records are usually played at 45 rpm for the sake of improved audio fidelity, for they are the perfect size for holding a single song on each side. The reasons for this are inherently tied up to the history of vinyl recording, as well as with the entire history of recording technology itself in fact, and what the vinyl records are, and thus would be difficult to explain in such a short form format. Of these three sizes, you are much more likely to find two than one of the others. Though there are theoretically an infinite amount of sizes and styles of record, there are but three main sizes that you are likely to find when out and about scouring your local record store. Whether or not this is a worthy sacrifice is constantly up for debate between those more contentious vinyl enthusiasts, though the times have made their bed and now lie in it, with this speed being rare if not completely unheard of in the more modern era of vinyl production and consumption.
Records have better sound quality the faster they are played, though in turn a faster rpm will mean inherently less space on the disc with which to hold the music. Soon after they were drafted into the mainstream realm, records that were intended to be played at 33 1 / 3 rpm – most commonly being on 12 inch discs – superseded the 7 inch 45 rpm record as the standard currency for exchanging sounds between producer and consumer, even remaining so to this day. The holistic aim was most likely to provide music consumers with a more transportable medium upon which to press higher quality versions of single songs in small bunches. 45 rpm records were originally manufactured to be played on the smallest of the more typical record sizes, that of the 7 inch disc, which is itself almost half the size of the largest of the most typical sizes, the 12 inch disc.
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